This year the NET Fest brings forward performances not enough to cut any of them. Each of them is worthy of note. Let’s follow the chronological order as we’re drawing near the Doomsday. The audience became the eyewitness of fields where the foot of Godot had never stepped. I present my apologies towards sophisticated readers for the use of offensive language which seems to me the only adequate one in the concrete case. Considering this article contents pornographic scenes it is not recommended for reading to nervous or elderly people and also under age 23. Fasten your seat belts and be ready for the lapse.

The photographer embodies brilliant spanish visual experience in her works catching dramatic movements of tango, flamengo as a part of visible ornament of fabric, texture of architecture and surfaces. She knows how to go into graphic details and yet to keep silence and secrets. In the pictures we can see wholeness and integrity of human bodies, short-spoken gestures cloaked in mystery, ornaments of tattoos and scars crossing the frontier of transcendence.

Friends thank you all who visited our show or followed it by Internet publications. It is difficult to describe a show or clothes in words. It’s better to watch the show and wear the clothes. I hope half a year later we shall be able to please our customers. Below you can read the reviews of the show and collection. Now to the essential. The catwalk fashion has to be social and not ignore actual problems. If not it risks becoming a senseless parade of beauty for aesthetes-art for art’s sake.

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Curator Tatyana Volkova invites you to visit exhibitions at the reopened gallery ZHIR. She tells us the idea of her project.

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Artist Timofey Caraffa Corbut speaks about the world. I keep silence and you, look at the Earth from the space in the meantime. Tell me then if you see one huge island or a lot a small ones nevertheless?

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27th February

photo by Alexey Mirsnov

Curators: Danica Curcin, Christina Steinbrecher

7 november 2009
foto: Alexey Mirsnov

In an ever-growing megapolis humanity is moving in a single inert flow. Every action that violates the accepted norm through vice, we tend to relegate to a metaphorical “black box” buried somewhere on the edge of our subconscious, and the opening of this Pandora's box is seen as a strict taboo.  

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I am in Central Park, and it is cold enough to see my breath. The sky overhead is white, from side to side, it's going to snow for sure, but I am not cold. No, not in my new warm coat, heavy-looking yet surprisingly light boots and funny red mittens. There is something on my head too pulled down over my ears and keeping them as hot as the rest of me. I take the cap off, curious, and see it's a red-and-green stockin cap, written across the front is 2011. I look at it startled.


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From 20th to 24th of September in Kurgan took place the second international music festival “Music Offering” under Mark Gorenstein leadership, conductor of Evgeny Svetlanov State Symphony Orchestra of Russia. Internationally top-ranked musicians – pianist Dmitry Alekseev and cellist Natalia Gutman – contributed to the work. The festival became a prominent event in the cultural life of Kurgan region. Correspondent Ekaterina Andreas attended the concerts and inquired about personal impressions of musicians who held master classes for students.

to reach out
the day of the 26th


l honneur de timur
a performative brand, multidisciplinary in its ways

invites you to breath concept, hear and see

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Konstantin Grouss, the director of the performance Notes, invited two choreographers for collaboration – Tatyana Fateeva and Lika Shevchenko. Each of the three artists had his own habits, practical skills and store of knowledge.


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